2012
Carlos Suarez de Jesus. "Post-Basel Buzz." Miami New Times. 13-19 December.
Julie Baumgardner. "Barry X Ball at the Bass Museum." Whitewall. 7 December.
Scott Indrisek. "Miami's Bass Museum Blows the Lid Off Tradition With 'Endless Renaissance' Show." Artinfo. 7 December. (online)
Rebecca Kleinman. "Reinventing Its Roots." Art Basel Miami Beach Magazine. December. p. 66.
Paola Taddeucci. “Quando la tecnologia dà spettacolo: In mostra la Colonna Traiana e i classici rivisitati dello scultore Barry X Ball.” Il Tirreno. 16 October. p. 20.
"The 100 Most Iconic Artworks of the Last 5 Years." Artinfo. http://www.artinfo.com. 17 September.
Amelia Cai. “Inside the Studio: Barry X Ball Reconceived Old Master Honest Art in an Age of ‘Some Glue and Sticks.’” Out of Order. Issue 01, Spring. pp. 2-7.
Florence-Valérie Alonzo. “Le Soleil Noir de Janus, Barry X Ball.” La Critique. 8 May.
Anne Sherwood Pundyk. “Barry X Ball: Matthew Barney / Barry X Ball Dual-Dual Portrait.” The Brooklyn Rail. May.
Brienne Walsh. “Keeping His Marbles: Q+A With Gian Enzo Sperone.” Art in America. 20 January.
Julie Baumgardner. "Barry X Ball at the Bass Museum." Whitewall. 7 December.
Scott Indrisek. "Miami's Bass Museum Blows the Lid Off Tradition With 'Endless Renaissance' Show." Artinfo. 7 December. (online)
Rebecca Kleinman. "Reinventing Its Roots." Art Basel Miami Beach Magazine. December. p. 66.
Paola Taddeucci. “Quando la tecnologia dà spettacolo: In mostra la Colonna Traiana e i classici rivisitati dello scultore Barry X Ball.” Il Tirreno. 16 October. p. 20.
"The 100 Most Iconic Artworks of the Last 5 Years." Artinfo. http://www.artinfo.com. 17 September.
Amelia Cai. “Inside the Studio: Barry X Ball Reconceived Old Master Honest Art in an Age of ‘Some Glue and Sticks.’” Out of Order. Issue 01, Spring. pp. 2-7.
Florence-Valérie Alonzo. “Le Soleil Noir de Janus, Barry X Ball.” La Critique. 8 May.
Anne Sherwood Pundyk. “Barry X Ball: Matthew Barney / Barry X Ball Dual-Dual Portrait.” The Brooklyn Rail. May.
Brienne Walsh. “Keeping His Marbles: Q+A With Gian Enzo Sperone.” Art in America. 20 January.
2011
Jan Ernst Adlmann. "The Theatrum Mundi of Barry X Ball." Sculpture. November. pp. 30-35.
Michael Fitzgerald. "Conceptual beauty: The portrait sculpture of Barry X Ball." Art & Australia. September. pp. 38-39.
Stefano Castelli. "Le Mostre: Classico contemporaneo. Il marmo digitale di Barry X Ball." Arte. p. 27.
Raphaël Morata. "Les Illuminés de Venise." Point de Vue. 15 June. p. 4.
Roberta Smith. "Artists Decorate Palazzos, and Vice Versa." The New York Times. 9 June. p. C21.
Rachele Ferrario. "Barry X Ball, la tecnologia è tradizione." Il Corriere della Sera. 8 June.
Valérie Duponchelle. "La Biennale de Venise, vite fait, bien fait." Le Figaro. 6 June. p. 38.
Carol Vogel. "Above the Grand Canal, 'Big Bambú' Rises." The New York Times. 3 June. p. C22.
"Che cosa ha visto Barry X Ball a Ca' Rezzonico?" Il Giornale dell'Arte (The Art Newspaper). 2 June. p. 14.
Eric Banks. “The Merchants of Venice.” W Magazine. June. pp. 58-59.
Jody Shields. “Barry X Ball: Ca’ Rezzonico.” L’Uomo Vogue (Italy). May / June. pp. 240-3, 252-3.
Carol Vogel. "At the Maastricht Art Fair, a Rembrandt and a Red Shoe." The New York Times. 20 March.
Michael Fitzgerald. "Conceptual beauty: The portrait sculpture of Barry X Ball." Art & Australia. September. pp. 38-39.
Stefano Castelli. "Le Mostre: Classico contemporaneo. Il marmo digitale di Barry X Ball." Arte. p. 27.
Raphaël Morata. "Les Illuminés de Venise." Point de Vue. 15 June. p. 4.
Roberta Smith. "Artists Decorate Palazzos, and Vice Versa." The New York Times. 9 June. p. C21.
Rachele Ferrario. "Barry X Ball, la tecnologia è tradizione." Il Corriere della Sera. 8 June.
Valérie Duponchelle. "La Biennale de Venise, vite fait, bien fait." Le Figaro. 6 June. p. 38.
Carol Vogel. "Above the Grand Canal, 'Big Bambú' Rises." The New York Times. 3 June. p. C22.
"Che cosa ha visto Barry X Ball a Ca' Rezzonico?" Il Giornale dell'Arte (The Art Newspaper). 2 June. p. 14.
Eric Banks. “The Merchants of Venice.” W Magazine. June. pp. 58-59.
Jody Shields. “Barry X Ball: Ca’ Rezzonico.” L’Uomo Vogue (Italy). May / June. pp. 240-3, 252-3.
Carol Vogel. "At the Maastricht Art Fair, a Rembrandt and a Red Shoe." The New York Times. 20 March.
2010
Will Heinrich. "Curation's Onslaught: White Columns Annual and Larry Poons." The New York Observer. 20 December. p. 49.
Brent Gregston. "Fiac fair puts France back on the modern art map." Radio France Internationale. 30 October.
Max Mulhern. "FIAC 2010 in Paris - A ramble unearths some deep thoughts." THEartblog. 30 October.
Livia de Leoni. "Da Parigi: la Cour Carrée du Louvre e l’Hermaphrodite di Barry X Ball." exibart (Italy). 23 October.
Georgina Adam. "Cour de force." Financial Times. 22 October.
"A Roundup of Sales from FIAC's High-Octane Opener." ARTINFO France. 21 October. (online)
Béatrice de Rochebouët. "Noir, c'est noir à la Cour carrée." Le Figaro. 21 October. pp. 32-33.
Olga Grimm-Weissert. "Sprung in die erste Liga." Handelsblatt (Germany). 21 October.
Georgina Adam. "After Frieze comes Fiac." Financial Times. 18 October.
Nicole Duault. "Fiac 2010 - Quand l’art fait sa foire." France-Soir. 10 October.
Nicolai Hartvig. "FIAC Rising." Art + Auction. October. p. 40.
Mark Kostabi. "Fiera! Fiera! Fiera!" artnet Magazine. 5 February.
Bob Nickas. "Looking Back: Solo Shows." frieze magazine. January - February. p. 88.
Brent Gregston. "Fiac fair puts France back on the modern art map." Radio France Internationale. 30 October.
Max Mulhern. "FIAC 2010 in Paris - A ramble unearths some deep thoughts." THEartblog. 30 October.
Livia de Leoni. "Da Parigi: la Cour Carrée du Louvre e l’Hermaphrodite di Barry X Ball." exibart (Italy). 23 October.
Georgina Adam. "Cour de force." Financial Times. 22 October.
"A Roundup of Sales from FIAC's High-Octane Opener." ARTINFO France. 21 October. (online)
Béatrice de Rochebouët. "Noir, c'est noir à la Cour carrée." Le Figaro. 21 October. pp. 32-33.
Olga Grimm-Weissert. "Sprung in die erste Liga." Handelsblatt (Germany). 21 October.
Georgina Adam. "After Frieze comes Fiac." Financial Times. 18 October.
Nicole Duault. "Fiac 2010 - Quand l’art fait sa foire." France-Soir. 10 October.
Nicolai Hartvig. "FIAC Rising." Art + Auction. October. p. 40.
Mark Kostabi. "Fiera! Fiera! Fiera!" artnet Magazine. 5 February.
Bob Nickas. "Looking Back: Solo Shows." frieze magazine. January - February. p. 88.
2009
"Barry X Ball." The New Yorker. Art Review. 23 November. p. 24.
Ken Johnson. "Masterpieces." The New York Times. Art in Review. 6 November. p. C30.
Laura K. Jones. "London Dispatch." artnet Magazine. 21 October.
Linda Yablonsky. "Different Class." Artforum (online edition). 16 October.
Ken Johnson. "Masterpieces." The New York Times. Art in Review. 6 November. p. C30.
Laura K. Jones. "London Dispatch." artnet Magazine. 21 October.
Linda Yablonsky. "Different Class." Artforum (online edition). 16 October.
2008
2007
William Ganis. "The Digital Stone Project." Sculpture Review. Winter 2007 - 2008. pp. 22-9.
Stefano Spagnolo. "Barry X Ball." Tema Celeste (Italy). November - December. p. 118.
Lucio Pozzi. "Letter from Venezia." The Brooklyn Rail. October. pp. 52-3.
Marie-Louise Brulatour Mills. "Postcard from Venice." 80 Kulturzeitung. Summer. p. 6.
"È difficile far da Cornice alla Biennale." Il Giornale dell’Arte (Italy). July - August. p. 51.
Ellen Berkovitch. "Barry X Ball: SITE Santa Fe." ARTnews. Summer. p. 208.
Leanne Goebel. "Visceral Intensity: Stone portraits eerily lifelike at SITE Santa Fe." The Durango Herald. 30 March.
Elizabeth Cook-Romero. "Flayed, Impaled, and Tortured to Perfection." The New Mexican. 9-15 February. pp. 52-54.
Stefano Spagnolo. "Barry X Ball." Tema Celeste (Italy). November - December. p. 118.
Lucio Pozzi. "Letter from Venezia." The Brooklyn Rail. October. pp. 52-3.
Marie-Louise Brulatour Mills. "Postcard from Venice." 80 Kulturzeitung. Summer. p. 6.
"È difficile far da Cornice alla Biennale." Il Giornale dell’Arte (Italy). July - August. p. 51.
Ellen Berkovitch. "Barry X Ball: SITE Santa Fe." ARTnews. Summer. p. 208.
Leanne Goebel. "Visceral Intensity: Stone portraits eerily lifelike at SITE Santa Fe." The Durango Herald. 30 March.
Elizabeth Cook-Romero. "Flayed, Impaled, and Tortured to Perfection." The New Mexican. 9-15 February. pp. 52-54.
2004
Ann Wilson Lloyd. "Barry X Ball at Mario Diacono at Ars Libri." Art in America. May. p. 168.
Monroe Denton. "Romanticism and the Works of Barry X Ball." The Antiquer. February. pp. 32-35.
Monroe Denton. "Romanticism and the Works of Barry X Ball." The Antiquer. February. pp. 32-35.
2001